Crossing the First Threshold in Star Wars: A New Hope

 2. Examine George Lucas’ Star Wars: A New Hope as a hero’s journey narrative. Try to focus on one scene in the film/step in the hero’s journey, and reflect on how Joseph Campbell’s monomyth encourages us to understand that moment in the narrative.



It’s well known that George Lucas’ Star Wars: A New Hope was written with Joseph Campbell’s monomyth in mind. The plotline of the movie clearly reflects this, with most steps of the monomyth, particularly the separation and initiation sections, distinguishably identifiable. In particular, a distinctive moment is the switch from “Refusal of the Call” to “Crossing the First Threshold,” when Luke makes the personal decision to leave Tatooine and join Obi-wan in his journey. As the pivotal transition between the Separation and Initiation stages, it represents a transformation in Luke’s character, from a civilian to a member of the rebellion. 

Campbell’s monomyth initially involves the refusal of the call to adventure, which is explicitly outlined in Star Wars when Luke refuses to join and be trained by Obi-wan Kenobi. Specifically, this is done out of a sense of loyalty, duty, and concern for his life and family on Tatooine. Together, each of these elements–his family, his obligation, and his morality–represent Campbell’s “threshold guardian” preventing Luke’s descent into Initiation. Specifically, Campbell states: “With the personifications of his destiny to guide and aid him, the hero goes forward in his adventure until he comes to the ‘threshold guardian’ at the entrance to the zone of magnified power. Such custodians bound the world in four directions—also up and down—standing for the limits of the hero's present sphere, or life horizon,” imagining the threshold guardian to be a literal or metaphorical boundary in every direction. Luke’s remaining family, serving as ties to safety, responsibility, and blood, bind him to his previous life.

Only when his family and livelihood literally go up in flames is he able to Cross into the world of peril. Mentally, the destruction of his safety is the crossing, into a mindset bent on a path of risk and revenge. Symbolically, this is represented by his crossing into Mos Eisely. As Obi-wan states, “You will never find a more wretched hive of scum and villainy” than Mos Eisely, and thus the previously unimaginable action of venturing into the spaceport and crossing the border between a safe life and a danger-filled one. Campbell’s language in describing the threshold– “guardian,” “custodians,” “parental” –also imply the familial archetype of safety and the known sphere.

George Lucas’s use of Campbell’s monomythic steps is clearly apparent in Star Wars, especially with the steps in Separation and Initiation. In particular, analyzing “Crossing of the First Threshold” and the steps immediately surrounding it shows a heavy adherence to the hero’s journey. Following Campbell’s symbolism and the critical step of Crossing the First Threshold and developing the hero’s resolve to the journey, Lucas implements a storyline with the “threshold guardian,” familial ties, physical borders, and representative landmarks of the two worlds at the core of the hero’s journey: the familiar and unfamiliar. 


Comments

  1. This is a great analysis! You do a good job at diving into the true reason Luke left his home town to pursue this grand journey and what was holding him back. I also like your spin off Guardian Threshold which is an accurate representation in the Star Wars film. However this Guardian Threshold I think may be a combination of both the refusal of the call and crossing the first threshold. Overall great post!

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  2. Fantastic analysis, Jonathan! Your blog post was well-organized and focused on a topic that a lot of people didn't choose to talk about in relation to Star Wars: A New Hope. Although the crossing of the first threshold stage for Luke is more straightforward than other stages, you add more levels of analysis which I haven't considered before. For example, you say that the 'destruction of his safety' enables and pushes Luke to cross the first threshold which is a perspective I haven't considered before. Great post!

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  3. Honestly, I'm thankful to George Lucas for making all the steps in the Hero's Journey so clear in the film. The refusal of the call stage, however, was one of the few instances where I felt you could interpret Luke's hero's journey in more than one way. Luke refuses the call in more ways than one: his uncle tells him to not to go since he has to work on the farm, and Luke himself tells Obi-Wan that he can't go along with him. Each reading slightly alters the tone of Luke's journey, which is part of the fun of using the Hero's Journey as a template to interpret novels. Nice post!

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  4. Nice blog post, Jonathan. I talked about crossing the first threshold as well, and I agree. After seeing his Aunt Beru and Uncle Owen die, he finally agrees to accompany Obi-Wan on his journey, leading them to enter the tavern and cooperate with Han Solo. Your analysis on the New Hope and the steps leading to Crossing the First Threshold was quality as well. Nice work!

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  5. Your analysis of these two stages is very interesting. I especially like how you pointed out the "threshold guardian." Luke's commitment to his family is crucial to understanding why he refused to join Obi-Wan. It is also what binds him to his previous life, as you mentioned. Luke also finds safety in this, and so when if is destroyed, he has no other choice than to join Obi-Wan. Good blog Jonathan!

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  6. Great post Jonathan! Luke's escape from his safe life to the dangerous unknown is further amplified by the Belly of the Whale stage in the Cantina Bar. While I viewed the Cantina Bar scene as the period when Luke is reborn from a Tatooine farmer to a member of the Rebellion, your interpretation of Luke's first threshold being his familial ties makes me think that all the events from his relatives' murders to his departure from Tatooine encompass the Crossing the First Threshold and the Belly of the Whale phases. I wonder how Luke's familial ties and friendships slowly acclimate him to his new intergalactic, unknown reality.

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